Xiao Zhan's "Legend of the Hidden Sea" became popular before it was aired

When Xiao Zhan changed from the flowing white clothes in “The Order of the Love of Chen” to the metaphysical official robe embroidered with dark patterns in “Meet Me Now”, it really set off a furor.

Some viewers are worried about how Top Stream Traffic should handle such a complex dark role, but they were killed by the three-second face brush in the trailer - the iceberg tenderness under those eyes, a hint of a smile without the corners of the mouth, has been a precise insight into the key points of the throat of the Husband of Pingjin. 

“Zanghai is not a villain in the traditional sense.” Zheng Xiaolong emphasized from time to time on set, “His poisonous schemes are wrapped in honeyed justice.” 

This character would send his political opponents to the guillotine as his smile gradually blossomed, only to erect a monument for innocent stragglers on a rainy night; he abetted his royal son to kill his father and usurp the throne, but then turned around and used mortise and tenon machine techniques to rebuild his war-torn homeland.

Under the official blog, the audience clamored: “This is the power version of the ‘Dark Knight’, or a modern version of Natsume Soseki?”

Some sharp critics pointed out that when Xiao Zhan used a drawing of the building technique to cover up the incriminating evidence of the book of blood, contemporary viewers inevitably fell into the tear and struggle of values when watching - should we applaud the character's resourcefulness, or should we grieve for the innocents who have been exploited?